The 'arts' once had a somewhat precious and exclusive
image associated with notions of high culture, which were usually the province
of the urban and privileged metropolitan middle and upper classes or the landed
aristocracy. There are activities may be amateur or professional and continue
the mixture of participatory, spectator- and home-based entertainment. The
funding of the mainstream arts in Britain is precarious and involves the
private and public sectors. Members of the regional Arts Councils in England,
Scotland, Wales and Northern Ireland are appointed by the Secretary of State
for Culture, Media and Spoil. They are responsible for diving up an annual
governments grant to the arts and the finance has to be shared among cultural
organizations.
British theatre
can be lively and innovative and has a deserved international reputation There
are some 300 comnercial or professional theatres. The majority of West End
theatres are commercial in that they are organized for profit and receive no
public funds and they present a specific number of classical and innovative
plays and a variety of other artistic offerings in a season. The West End
theatres bring considerable financial rewards for the British economy.
Opera in Britain occupies a similar position to that
of the theatres and is divided into subsidized, commercial and amateur
companies The Royal Opera operates from the reb urbished facilities of the
Covent Garden Theatre in London. Britain has many quality orchestras such as
the London Symphony Orchestra, the London Philharmonic and the BBC Symphony
Orchestra. There are regional symphony orchestras of high quality, such as the
Halle in Manchester, the City of Birmingham Symphony, the Ulster Orchestra, the
BBC National Orchestra of Wales and the Royal Scottish National Orchestra.
According to the DCMS National Survey of Culture, Leisure and Sport, 2006--07,
the top six items in the top ten arts events attended by different household
groups in descending order were theatre performances.
The history of the cinema in Britain has shown a big
decline since its early days as a very popular form of mass entertainment and
from 1946 when annual visits reached a total of 1 6 billion. Few British films
are being made in Britain, many films made in Britain are either foreign or
coproductions and the film industry has been criticized for making too many indifferent
films. In I960 there were over 3,000 cinemas in Britain, but many have now
either gone out of business or changed to other activities such as dancing and
bingo. However, new screens have been built since 1996 and today there are
2,954 cinema screens. Annual audience figures dropped from some 501 million in
1960 to 193 million in 1970 This decline was hastened by the arrival of
television and continued as new forms of home entertainment, such as videos,
DVDs and the Internet increased Annual admissions had sunk to 55 million by
1984. There was a slight increase in admissions in 2009 to 173 5 million and
combined box office takings in the UK and Ireland exceeded £lbn for the first
time. The latest figures suggest that increased audience figures are due in
part to the success of British-based films aimed at the younger generation.
British popular music increased hugely and
influentially in Britain, led the world from the 1960s and was both an economic
and cultural phenomenon. Since the Beatles and early Rolling Stones, the
domestic market for music sales has multiplied more than sixfold. British
popular and rock music still has a domestic and international following, is
again slowly becoming attractive to the home and overseas youth market and
constitutes a considerable industry. Music was worth £2 billion a year in
2003 and the industry employed some
125,000 people. UK record sales in 2003 saw an increase to 236 million pop
albums, but a decrease to 36 million pop singles. In 2009 according to the British
Phonographic Industry, the music industry grew in value for the first time in
six years as record companies saw a rise in income from music sales to £929
million.
There is a wide range of museums and art galleries in
Britain (some 1,860), which provide for a variety of tastes. Most of them are
financed and controlled by local authorities, British Museum and the National
Gallery in London, are the province of the Secretary of State for Culture.
Museum and art gallery attendance in England rose to 34.7 million in 2003-4 and
there were proportional increases in Wales, Scotland and Northern Ireland.
Certain arts activities and their associated buildings
have become virtual institutions, such as the West End, repertory companies,
the Last Night of the Proms, the Albert Hall, the Royal Festival Hall, the
National Theatre, the Tate Gallery (now called Tate Britain), the National
Gallery and the Royal Shakespeare Theatre at Stratford-upon-Avon. They reflect
Britain's lively (and internationally important) contemporary art scene.
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